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A POETIC SEQUENCE FOR FIVE VOICES (St John's, Glasgow, 1966). | |
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This was a short verse play performed at St. John's Methodist Church, Sauchiehall St, Glasgow, November 13th, 1966. The readers were
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50 copies were produced of the text. |
There is a copy in the British Library. The author has retained a copy. | |
The whereabouts of the other 48 are not known. |
MOUSINGS (Headland, Sheffield, 1970). | |
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CHRISTMAS PRESENTJesus Christ was God's Christmas present to the world! Oh yes! We opened up the gift very carefully, but we saved the wrappings and threw away the present! |
A slim 16-page volume. It includes early poems published in magazines, a sound-poem, a poem in Yorkshire dialect and eight senryu. |
The poem which proved most popular, being reprinted many times subsequently was CHRISTMAS PRESENT. | |
out of print. |
THE WINE THE WOMEN AND THE SONG (Kenfig Press, Pyle [Glamorgan], 1972). | |
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Edited and published by Arthur Smith, this was a rather rough duplicated production. 150 copies were distributed to members of the British Amateur Press Association but these were mutilated by having the f-word cut out (literally) from the last poem so as not to offend certain sensitive souls. |
The poem in question, first published in the magazine Stillborn was called Miss V. |
Only a few uncensored copies survived. | |
out of print. |
THE RAINBOW AND OTHER POEMS (The Fighting Cock Press, Heckmondwike, 1980). | |
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RAINBOWThere hadn't always been a rainbow only it was there when needed impressing itself upon her needful or not She wanted the rainbow even though she never saw seven colours clear Sometimes and it was usually winter she could distinguish five But mostly there were three with a merging in between Inside there was violet — flowers and blossom when his kiss gave bloom to her becoming In the middle of it all the blue of the clear sea on the sand-dunes where they had loved when she no longer liked him coming to her bed The tide had rolled over them as they heated the night into the outer red of passion and the violence of tearing apart She had wanted the rainbow It was real She had analised the spectrum measured every wavelength knew it as she could only know a man But she wanted more than the rainbow She wanted the pot of gold that was not of the rainbow but lay beyond its end She did not find her pot of gold She had by then destroyed the rainbow She had lost reality for the wanting of a dream |
The cover design is again by Anna Adams - Barn in Rainbowfan |
DADDYCATION (New Hope International, Ashton under Lyne, 1982). | |
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MOTHER ENGLANDShe is Mother England suffering a modicum of morning sickness in the evening and feeling somewhat heavier than in her slim-trim days of pre-pregnancy dieting. She is Mother England busy knitting babygroes and searching all the ads for second-hand cots, trying to remember her antenatal clinic dates. She is Mother England The taut swelling of skin from where come kicks hides the lap on which a three-year-old would sit. He says there's a baby there, the result of Daddycation. She is Mother England. |
Cover design by the cartoonist, Roy Mitchell. |
Profits from sales were donated to the Downs Children's Association. The title stems from my son Strontian's misquote of the phrase used by Roy Castle, presenter of Record-Breakers — "To be a record-breaker, you've got to have DEDICATION!" | |
out of print. |
FUTURES (Magic Pen Press, Ipswich, 1986). | |
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MOON RISING OVER THE SHROPSHIRE HILLSgently the brown hill slopes to forest of hard fir above the edge in cool, cloudless sky a tiny sliver of yellow light peeps graduates into a demon disc rests ready to roll earthly firs stand firm the moon rises to its rightful sky |
A joint collection with Christine England. Cover design by John Brady. |
STEALING KISSES (New Hope International, Hyde, 1992). | |
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Sample poem | Gerald England is a whiz with traditional form and structure and this chapbook plays to all his strengths. From obviously rhymed to subtle internal couplings, these poems deftly flesh out carefully constructed frameworks of form and style, yet maintain a powerful narrative throughout genuinely crafted poetry in the best sense of the tradition. — Taproot Reviews |
FOUR SQUARE REPLAY (Krax, Leeds, 1992). | |
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and the crowd has no hands although each individ- ual has two and who'd dare to be the one to deliver the midwife's baby ? |
A mini-booklet containing several examples of Squares, the verse form invented by Gerald England. |
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out of print. |
LIMBO TIME (New Hope International, Hyde, 1998). | |
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In almost all of Gerald England's poems it is the human element that is important. FIVE DAYS AFTER THE BOMB describes Manchester after a bomb attack. Motoring through, he notices the office girls in summer dresses, the workers whistling and the policemen smiling. Then he turns a corner and looks up Corporation Street:— Mabel FerrettIt was like gazing through a window at some scene from Bosnia or Beirut; the now so silent debris hanging.There is shock; then, in the next stanza, a mounting anger for acity that survives and smiles.It is his sense of humour, though, that gives balance and reason to all he writes. The poems are the work of a man of courage and humour, a man who recognises the quiddity of things and draws his own conclusions. I enjoyed reading them. |
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